The Informer (2019)

The Informer is one of the year’s more pleasant genre surprises: a clenched fist of a crime thriller in the mode of The Departed or The Town, in which every element is just a notch smarter than you’d expect. Generic though the film may look, it holds together absorbingly, thanks to a sturdy script which ups stakes and adds characters with cunning and intelligence.

For all The Informer lacks in surface style — shot and scored as it is in functional, straight-to-VOD fashion — it remains a surprisingly well-oiled genre machine.

Outside of the Easy Money series, Kinnaman has rarely been allowed to utilize his tightly wound intensity this explicitly.

The Informer is spread over a big canvas, but by the time of its big finale it is leaking energy. It might have made better sense as an episodic drama on television but it is brash and watchable, its world reeking with cynicism and fear.

The Informer is a film that favours brawn over brains, punching its way through any plot predicaments. A smart hairpin or two would have made it a juicier watch.