Minority Report (2002)

This is the kind of pure entertainment that, in its fullness and generosity, feels almost classic.

May show both director and star working at their professional peaks, but I don't think it's as good as that underappreciated masterwork "A.I." It's not as resonant and daring, not as full of magic and marvel. Spielberg stretches himself technically here but not emotionally.

Spielberg's sharpest, brawniest, most bustling entertainment since "Raiders of the Lost Ark" and the finest of the season's action epics.

Ferociously intense, furiously kinetic, it’s expressionist film noir science fiction that, like all good sci-fi, peers into the future to shed light on the present.

Few directors are capable of marrying ideas and entertainment—one is often sacrificed for the other—but Spielberg peppers one gripping action setpiece after another with trenchant details about a near-future robbed of the most basic freedoms and privacy.