Outside In is not a story filled with events or even big moments, but, instead, accumulates its momentum through the numerous small decisions that eventually bring our leads to a hard won understanding.
Shelton’s work is understated, but elevates seemingly forgettable scenarios with a wise, humane approach that makes even a lesser work like Outside In a cut above the market standard.
Shelton may not be as prolific as the Duplasses (I’m not sure anyone could be – they seem to churn out movies in their sleep), but her work has steadily gotten more assured and quietly powerful. Her continued partnership with the brothers is a tonic for anyone who cares about keeping the Sundance-of-the-‘90s spirit alive.
Outside In feels eventful, even somewhat suspenseful, as we worry that being around so many screwups of one sort or another might endanger Chris’ still-fragile freedom.