Toshio hires Yasaka to work in his workshop. But then this old acquaintance, who has just been released from prison, begins to meddle in Toshio’s family life…
The film’s insights into the isolation evident in the relationships most take for granted — marriages, parent-child connections and long-term friendships — don’t merely hit their targets; they smash them with a sledgehammer.
Shot in a meticulous yet unmannered style, the film provides the veteran cast with an ideal framework to mount masterful performances.
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Slant Magazine
Chuck Bowen
Throughout Harmonium, writer-director Kôji Fukada works in a rapt and lucid hyper-textural style that suggests a merging of the sensibilities of Alfred Hitchcock and Yasujirô Ozu.
The actors navigate their uncertain motivations with finesse — especially Asano, who captures not just the shell-shocked daze of someone trying to readjust to life on the outside but also a carefully, unnervingly suppressed wellspring of resentment.