Information
Released Year: 2014
Runtime: 88 minutes
Genre: Drama
Directors: Keith Miller
Writers: Keith Miller
Casts: Jaiden Kaine, James 'Primo' Grant, John Diaz, Wanda Nobles Colon, Jasmine Burgos, Lisette Finevelvet, Tamara Robinson, Richard Bird
IMDB: Five Star (2014)
Ratings: 
(2 votes, average: 5.00 out of 5)
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(2 votes, average: 5.00 out of 5)Loading...Reviews
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IndieWire -
As a sociological experiment, Five Star offers plenty of talking points, but its real triumph is that the cast delivers, yielding a story in which the heightened suspense emerges organically from a gritty foundation of realism.
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Variety -
A low-key but powerfully affecting urban drama that tells a familiar story — of drugs, power and respect on the inner-city streets — with such unusual authenticity and dramatic force that it’s as if we’re seeing it for the first time.
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The Hollywood Reporter -
Following up on his lauded debut, Welcome to Pine Hill, Miller again blends fiction and reality to fine effect.
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The New York Times -
Slow and steady, and with remarkable assuredness, Keith Miller’s Five Star plays mean-streets drama in the lowest of keys.
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The Playlist -
Well-drawn and intimate, Miller’s best observations come incidentally; Five Star explores ideas and relationships rather than spelling them out.
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Five Star (2014)
After John’s absent father is struck by a stray bullet, Primo takes it upon himself to verse the young boy in the code of the streets—one founded on respect and upheld by fear. A member of the Bloods since the age of twelve—both in the film and in reality—the streets of Brooklyn are all Primo has ever known. While John questions whether or not to enter into this life, Primo must decide whether to leave it all behind as he vows to become a better husband and father. Set during those New York summer weeks where the stifling heat seems to encase everything, Five Star plunges into gang culture with searing intensity. Director Keith Miller observes the lives of these two men with a quiet yet pointed distance, carefully eschewing worn clichés through its unflinching focus. Distinctions between fiction and real life remain intentionally ambiguous, allowing the story of these two men to resonate beyond the streets, as they face the question of what it means to be a man.
Five Star (2014)
(2 votes, average: 5.00 out of 5)Loading...
Information
Released Year: 2014
Runtime: 88 minutes
Genre: Drama
Directors: Keith Miller
Writers: Keith Miller
Casts: Jaiden Kaine, James 'Primo' Grant, John Diaz, Wanda Nobles Colon, Jasmine Burgos, Lisette Finevelvet, Tamara Robinson, Richard Bird
IMDB: Five Star (2014)
Storyline
After John’s absent father is struck by a stray bullet, Primo takes it upon himself to verse the young boy in the code of the streets—one founded on respect and upheld by fear. A member of the Bloods since the age of twelve—both in the film and in reality—the streets of Brooklyn are all Primo has ever known. While John questions whether or not to enter into this life, Primo must decide whether to leave it all behind as he vows to become a better husband and father. Set during those New York summer weeks where the stifling heat seems to encase everything, Five Star plunges into gang culture with searing intensity. Director Keith Miller observes the lives of these two men with a quiet yet pointed distance, carefully eschewing worn clichés through its unflinching focus. Distinctions between fiction and real life remain intentionally ambiguous, allowing the story of these two men to resonate beyond the streets, as they face the question of what it means to be a man.
Trailer
Reviews
|
|
IndieWire -
As a sociological experiment, Five Star offers plenty of talking points, but its real triumph is that the cast delivers, yielding a story in which the heightened suspense emerges organically from a gritty foundation of realism.
|
|
|
Variety -
A low-key but powerfully affecting urban drama that tells a familiar story — of drugs, power and respect on the inner-city streets — with such unusual authenticity and dramatic force that it’s as if we’re seeing it for the first time.
|
|
|
The Hollywood Reporter -
Following up on his lauded debut, Welcome to Pine Hill, Miller again blends fiction and reality to fine effect.
|
|
|
The New York Times -
Slow and steady, and with remarkable assuredness, Keith Miller’s Five Star plays mean-streets drama in the lowest of keys.
|
|
|
The Playlist -
Well-drawn and intimate, Miller’s best observations come incidentally; Five Star explores ideas and relationships rather than spelling them out.
|
Related Movies
After John’s absent father is struck by a stray bullet, Primo takes it upon himself to verse the young boy in the code of the streets—one founded on respect and upheld by fear. A member of the Bloods since the age of twelve—both in the film and in reality—the streets of Brooklyn are all Primo has ever known. While John questions whether or not to enter into this life, Primo must decide whether to leave it all behind as he vows to become a better husband and father. Set during those New York summer weeks where the stifling heat seems to encase everything, Five Star plunges into gang culture with searing intensity. Director Keith Miller observes the lives of these two men with a quiet yet pointed distance, carefully eschewing worn clichés through its unflinching focus. Distinctions between fiction and real life remain intentionally ambiguous, allowing the story of these two men to resonate beyond the streets, as they face the question of what it means to be a man.
After John’s absent father is struck by a stray bullet, Primo takes it upon himself to verse the young boy in the code of the streets—one founded on respect and upheld by fear. A member of the Bloods since the age of twelve—both in the film and in reality—the streets of Brooklyn are all Primo has ever known. While John questions whether or not to enter into this life, Primo must decide whether to leave it all behind as he vows to become a better husband and father. Set during those New York summer weeks where the stifling heat seems to encase everything, Five Star plunges into gang culture with searing intensity. Director Keith Miller observes the lives of these two men with a quiet yet pointed distance, carefully eschewing worn clichés through its unflinching focus. Distinctions between fiction and real life remain intentionally ambiguous, allowing the story of these two men to resonate beyond the streets, as they face the question of what it means to be a man.
After John’s absent father is struck by a stray bullet, Primo takes it upon himself to verse the young boy in the code of the streets—one founded on respect and upheld by fear. A member of the Bloods since the age of twelve—both in the film and in reality—the streets of Brooklyn are all Primo has ever known. While John questions whether or not to enter into this life, Primo must decide whether to leave it all behind as he vows to become a better husband and father. Set during those New York summer weeks where the stifling heat seems to encase everything, Five Star plunges into gang culture with searing intensity. Director Keith Miller observes the lives of these two men with a quiet yet pointed distance, carefully eschewing worn clichés through its unflinching focus. Distinctions between fiction and real life remain intentionally ambiguous, allowing the story of these two men to resonate beyond the streets, as they face the question of what it means to be a man.
After John’s absent father is struck by a stray bullet, Primo takes it upon himself to verse the young boy in the code of the streets—one founded on respect and upheld by fear. A member of the Bloods since the age of twelve—both in the film and in reality—the streets of Brooklyn are all Primo has ever known. While John questions whether or not to enter into this life, Primo must decide whether to leave it all behind as he vows to become a better husband and father. Set during those New York summer weeks where the stifling heat seems to encase everything, Five Star plunges into gang culture with searing intensity. Director Keith Miller observes the lives of these two men with a quiet yet pointed distance, carefully eschewing worn clichés through its unflinching focus. Distinctions between fiction and real life remain intentionally ambiguous, allowing the story of these two men to resonate beyond the streets, as they face the question of what it means to be a man.