The Good Nurse (2022)
Suspicious that her colleague is responsible for a series of mysterious patient deaths, a nurse risks her own life to uncover the truth.
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The Good Nurse (2022)
Information
Released Year: 2022
Runtime: 121 minutes
Directors: Tobias Lindholm
Casts: Marcia Jean Kurtz, Bruce MacVittie, Shaun O'Hagan, Ajay Naidu, Brooke Stacy Mills, Kim Dickens, Jessica Chastain, Steve Antonucci, Noah Emmerich, Eddie Redmayne, Maria Dizzia, Gabe Fazio, Myra Lucretia Taylor, Chris Henry Coffey, Nnamdi Asomugha, Victor Cruz, Christine Healy, Becca Marks, Malik Yoba, Beth Dixon, Rebecca Watson, Gina Jun, Devyn McDowell, Alix West Lefler, Maurice J. Irvin, Denise Pillott, Dartel McRae, Joseph Fugelo, Judith Delgado, Jesus-Papoleto Melendez, Jennean Farmer, Navya La Shay, David Lavine, Charlotte Cohn-Williams, Maria Farrow, Alex Bartner, Anjelica Bosboom, Jennifer Regan, Brian Sayers, Evan Bass, Andrew James Bleidner, David Boston, Marko Caka, Sheetal Deo, Marcia M Francis, Lauren Yaffe
IMDB: The Good Nurse (2022)
Storyline
Suspicious that her colleague is responsible for a series of mysterious patient deaths, a nurse risks her own life to uncover the truth.
Trailer
Reviews
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Screen Daily -
This superbly acted thriller – Jessica Chastain and Eddie Redmayne both shine – is every bit as textured and knotty as [Lindholm's] previous work.
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The Hollywood Reporter -
A true-crime picture whose chilling effects are generated without a whiff of the manipulation that often comes with such films.
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Variety -
What lingers most about it is a sense of selfless compassion, the kind that Amy possesses when she painfully reminds herself of the good buried within inexplicable evil. Watching her try to summon that good makes for a quietly devastating finale, one that’s thoroughly earned by the soulful film that precedes it.
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TheWrap -
If The Good Nurse is about anything, it’s about dedication and stoic compassion, rather than a headstrong sense of morality, and the film, like its protagonist, is all the better for that.
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IndieWire -
It’s a nifty fit for the Danish filmmaker behind similarly cold-blooded dramas like “A War” and “A Highjacking,” who establishes a sense of unease from the film’s opening moments and never quite relents.
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