Storyline
Kenneth Feinberg, a powerful D.C. lawyer appointed Special Master of the 9/11 Fund, fights off the cynicism, bureaucracy, and politics associated with administering government funds and, in doing so, discovers what life is worth.
Directors
Writers
Cast
Amy Ryan, Joseph Ragno, Connie Ray, Michael Keaton, Stanley Tucci, Victor Slezak, James Ciccone, Steve Vinovich, Ato Blankson-Wood, Ian Blackman, Wass Stevens, Jason Kravits, Tate Donovan, Talia Balsam, Marc Maron, Johanna Day, Panama Redd, Laura Benanti, Chris Cardona, Catherine Curtin, David Fierro, Bill Winkler, E.R. Ruiz, Jeff Biehl, Alfredo Narciso, Clifton Samuels, Shunori Ramanathan, Gayle Rankin, Deborah Hedwall, Anthoula Katsimatides, Chris Tardio, Carolyn Mignini, Logan Hart, Vihaan Samat, Laura Sohn, Louis Arcella, Melissa Miller, Ana Isabel Dow, Stephanie Heitman, Tom Bruno, Bradford How, Lynne Wintersteller, Jon Wenc, Zuzanna Szadkowski, Shernita Anderson, Andy Schneeflock, Brandon Hernandez, David Edward Jackson, Kay Walbye, Miriam Morales, Stephen Reich, Jaime Verazin, Alessandra Marconi, Lindsey Hailes, Marc Heitzman, Jacob 'Seven Feet' Melvin, Jeffery Duffy, Billy Lefkowitz
Trailer
Reviews
91
While Worth is most literally concerned with a stupefying question — what is a life worth? — it’s more precisely about the price of calculating such a wrenching ask.
80
It’s all so human and messy and it’s refreshing to see a director that doesn’t shy away from such complexity with Colangelo crafting a film that’s every bit as nuanced as the subject at hand.
80
By humanizing the events of such a huge tragedy, Sara Colangelo shines a light on both the victims and the forgotten bystanders who were left behind, opening that closed-off compartment once more and bringing those folks back to the forefront.
70
There are enough diverse personalities in this unexpected film to generate a degree of interest in a subject few have probably ever thought about.
70
Colangelo grapples with all that is unfixed in this story with wise consideration. Worth finds its ultimate value in accepting what the film, and we, cannot ever determine for certain.
