In 1890, Catherine Weldon, a painter from New York, travels to North Dakota to paint a portrait of Sitting Bull and becomes involved in the struggle of the Lakota people to get the Government respects their rights over the land where they live.
It’s the kind of smoothly rounded, edgeless historical drama that’s built for maximum appeal, with a broad perspective and an easy to digest tone. Well-crafted and ably told, this is a film that’s wholly respectable though not particularly memorable, but still manages to connect with its earnest good intentions and desire to please.
Despite the sensitivity of its storytelling, and Chastain’s career-defining passion for playing headstrong, independent women like Mrs. Weldon, it also never really comes to life.
Despite the estimable talent on hand both behind and in front of the camera, the story never comes to convincing life and doesn’t, in the end, have anywhere particularly surprising or interesting to go.