Information
Released Year: 2017
Runtime: 116 minutes
Directors: Daniela Thomas
Writers: Daniela Thomas, Beto Amaral
IMDB: Vazante (2017)
Ratings: 
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Screen International -
Although the sparse dialogue and gradual build requires an investment on the part of the audience, this is an accomplished work.
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RogerEbert.com -
The languidly-paced picture has a staggering array of beautiful images and vistas.
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The Playlist -
With the deliberate pacing and spare approach, some audiences may find Vazante and its austerity a taxing experience, particularly in its first half. But just as Virgílio awakens Beatriz, we’re drawn into both their worlds for the remainder of the movie.
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Washington Post -
Thomas keeps things at a simmer for the longest time, forestalling the story’s ultimate boil-over until the final minute or so of the tale.
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San Francisco Chronicle -
Savagely lyrical, Vazante offers a harsh, impressionistic take on slavery in 19th century Brazil. And though the storytelling leans toward the opaque, the film has a sense of authenticity and power that keep it interesting.
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Vazante (2017)
Brazil 1821. Upon his return to the imposing farmhouse, Antonio, a rich cattle herder, finds out that his wife dies in labor. Forced to live in the property with numerous African slaves, he marries his wife's niece. A restless soul, he returns to droving, leaving his young wife behind alone with the slaves.
Vazante (2017)
(No Ratings Yet)Loading...
Information
Released Year: 2017
Runtime: 116 minutes
Directors: Daniela Thomas
Writers: Daniela Thomas, Beto Amaral
IMDB: Vazante (2017)
Storyline
Brazil 1821. Upon his return to the imposing farmhouse, Antonio, a rich cattle herder, finds out that his wife dies in labor. Forced to live in the property with numerous African slaves, he marries his wife's niece. A restless soul, he returns to droving, leaving his young wife behind alone with the slaves.
Trailer
Reviews
|
|
Screen International -
Although the sparse dialogue and gradual build requires an investment on the part of the audience, this is an accomplished work.
|
|
|
RogerEbert.com -
The languidly-paced picture has a staggering array of beautiful images and vistas.
|
|
|
The Playlist -
With the deliberate pacing and spare approach, some audiences may find Vazante and its austerity a taxing experience, particularly in its first half. But just as Virgílio awakens Beatriz, we’re drawn into both their worlds for the remainder of the movie.
|
|
|
Washington Post -
Thomas keeps things at a simmer for the longest time, forestalling the story’s ultimate boil-over until the final minute or so of the tale.
|
|
|
San Francisco Chronicle -
Savagely lyrical, Vazante offers a harsh, impressionistic take on slavery in 19th century Brazil. And though the storytelling leans toward the opaque, the film has a sense of authenticity and power that keep it interesting.
|
Related Movies
Brazil 1821. Upon his return to the imposing farmhouse, Antonio, a rich cattle herder, finds out that his wife dies in labor. Forced to live in the property with numerous African slaves, he marries his wife's niece. A restless soul, he returns to droving, leaving his young wife behind alone with the slaves.
Brazil 1821. Upon his return to the imposing farmhouse, Antonio, a rich cattle herder, finds out that his wife dies in labor. Forced to live in the property with numerous African slaves, he marries his wife's niece. A restless soul, he returns to droving, leaving his young wife behind alone with the slaves.
Brazil 1821. Upon his return to the imposing farmhouse, Antonio, a rich cattle herder, finds out that his wife dies in labor. Forced to live in the property with numerous African slaves, he marries his wife's niece. A restless soul, he returns to droving, leaving his young wife behind alone with the slaves.
Brazil 1821. Upon his return to the imposing farmhouse, Antonio, a rich cattle herder, finds out that his wife dies in labor. Forced to live in the property with numerous African slaves, he marries his wife's niece. A restless soul, he returns to droving, leaving his young wife behind alone with the slaves.