It's the first Hollywood Iraq movie to remind me of a Vietnam film like Coming Home, and it does more than disturb. It scalds, moves, and heals.

A deeply reflective, quietly powerful work that is as timely as it is moving.

Tommy Lee Jones is marvelous in the film. He has one scene in particular, a simple two-person encounter, that's as good as it gets in the realm of American screen acting.

Where "Crash" relentlessly pushed every conflict to a fever pitch, Elah takes its cues from Tommy Lee Jones' low-simmering lead performance.

As a narrative, it’s clunky. As a whodunit, it’s third-rate. As the drama of a closed-off man’s awakening, it’s predictable. But Haggis has got hold of a fiercely urgent subject: the moral devastation of American soldiers serving in (and coming home from) Iraq. At its heart are deeper mysteries--and a tragedy that reaches far beyond anything onscreen.