When shark conservationist Dr. Misty Calhoun is invited to consult on a top-secret project run by pharmaceutical billionaire Carl Durant, she is shocked to learn that the company is using unpredictable and highly aggressive bull sharks as its test subjects, which soon break loose and cause havoc.

A couple take a vacation to a remote island - their last holiday together before they become parents. Soon after their arrival, they notice that no adults seem to be present - an observation that quickly presents a nightmarish reality.

Time is unraveling, paradoxes are everywhere, and strangers with terrifying technologies are on the hunt. A thrilling, original, ultra indie full-length sci-fi movie that is the story of Sally Biggs, an FBI agent who has the power to rewind time. Her scientist husband has disappeared mysteriously, and the closer she gets to finding him, the more dangerous her life becomes. To save the future and her loved ones, Sally must enter a battlefield she never knew existed. Fortunately, she's a 95er. Surrounded by bizarre timespace paradoxes and hunted by terrifying forces from the future, Sally must discover the earth-shattering truth behind it all before her very being fades out of reality.

This historical and critical look at slasher films, which includes dozens of clips, begins with "Halloween," "Friday the 13th," and "Prom Night." The films' directors, writers, producers, and special effects creators comment on the films' making and success. During the Reagan years, the films get gorier, budgets get smaller, and their appeal wanes. Then, "Nightmare on Elm Street" revives the genre. Jump to the late 90s, when "Scream" brings humor and TV stars into the mix. Although some criticize the genre as misogynistic (Siskel and Ebert), most of the talking heads celebrate the films: as long as there are teenagers, there will be slasher films, says one.