Billie Holiday spent much of her career being adored by fans. In the 1940's, the government targeted Holiday in a growing effort to racialize the war on drugs, ultimately aiming to stop her from singing her controversial ballad, "Strange Fruit."
Day mesmerizes even when Lee Daniels' unwieldy bio-drama careens all over the map with stylistic inconsistency and narrative dysfunction, settling for episodic electricity in the absence of a robust connective thread. It's a mess, albeit an absorbing one, driven by a raw central performance of blistering indignation, both tough and vulnerable.