What is so distinctive about this Iñárritu picture is its unitary control and its fluency: no matter how extended, the film’s tense story is under the director’s complete control and he unspools great meandering, bravura travelling shots to tell it: not dissimilar, in some ways, to his previous picture, Birdman. The movie is as thrilling and painful as a sheet of ice held to the skin.

Pushing both brutal realism and extravagant visual poetry to the edges of what one customarily finds in mainstream American filmmaking, director/co-writer Alejandro G. Inarritu, cinematographer Emmanuel Lubezki and a vast team of visual effects wizards have created a sensationally vivid and visceral portrait of human endurance under very nearly intolerable conditions.

Astounding. With a director, DoP and cast at the top of their game, The Revenant is a filmmaking triumph.

Though it may feel threadbare for some, Iñárritu’s near exhausting movie is still unforgettably visceral and there’s so much to be dazzled and experientially shaken by.

What makes this more than just a punishing, fearful, expertly crafted thriller focused on one man’s endurance is heavily down to Emmanuel Lubezki’s attractive, thoughtful photography.