Audrey Hepburn and Shirley MacLaine, in the leading roles, beautifully complement each other. Hepburn’s soft sensitivity, mar- velous projection and emotional understatement result in a memorable portrayal. MacLaine’s enactment is almost equally rich in depth and substance.

The performances range from adequate (Balkin's) to exquisite (MacLaine's), and the movie broke new ground for 1961. These days the story wouldn't be all that controversial, but in 1934, when the play was first presented, it dealt with a different set of mores.

Despite wonderful performances from all the actors, Wyler’s attempt to retell the story in a more forthright manner still seems to pussyfoot timidly around the issues.

Too self-conscious, though; the cinematography, by Franz Planer, may sometimes evoke Balthus, but the atmosphere is heavy and lugubrious.

We never get the scenes we really want to see, like the teacher-initiated slander trial or their snotty accuser's comeuppance. Instead, we get too many strained conversations. [21 Dec 1990, p.3D]