Producer-director Randal Kleiser takes the pair through puberty and into parenthood with a charming candor that stresses natural, instinctive sexual development without leering at it. Their romance is enhanced by Nestor Almendros’ exquisite photography (and Basil Poledouris’ score), as is the stunning beauty of the Fiji island where it was filmed.

Nestor Almendros's cinematography is soothingly gorgeous, and so are Miss Shields and Mr. Atkins. Both are quite adequate to the movie's requirements, and neither has much acting to do--Miss Shields's hardest job, for instance, is to pretend she is giving birth to a baby without ever having wondered why she's put on so much weight. Her second hardest job is to keep the wind from ruffling her hair.

Ridiculous premise and hilarious acting which is mostly famous for the Lolita-type Brooke Shields cavorting in tropical settings.

The Blue Lagoon is the dumbest movie of the year. It could conceivably have been made interesting, if any serious attempt had been made to explore what might really happen if two 7-year-old kids were shipwrecked on an island. But this isn't a realistic movie. It's a wildly idealized romance, in which the kids live in a hut that looks like a Club Med honeymoon cottage, while restless natives commit human sacrifice on the other side of the island.

The only memorable facet of The Blue Lagoon (at the York) is the visual prowess of the great cinematographer Nestor Almendros - but here the photography, unlike his work in Days of Heaven or Kramer Vs. Kramer, is too great. It's all there is, and its monumental beauty overwhelms the fragile orchids-and-jockstraps pastoral of the narrative, with its faux naif philosophy. [12 July 1980]