Somewhere in Time (1980)


Young writer, Richard Collier is met on the opening night of his first play by an old lady who begs him to, "Come back to me." Mystified, he tries to find out about her, and learns that she is a famous stage actress from the early 1900s. Becoming more and more obsessed with her, he manages – by self-hypnosis – to travel back in time where he meets her. They fall in love, a matching that is not appreciated by her manager. Can their love outlast the immense problems caused by their 'time" difference, and can Richard remain in a time that is not his?

Somewhere in Time (1980)

1 Star2 Stars3 Stars4 Stars5 Stars (2 votes, average: 2.00 out of 5)
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Information


Released Year: 1980
Runtime: 103 minutes
Directors: Jeannot Szwarc

Storyline


Young writer, Richard Collier is met on the opening night of his first play by an old lady who begs him to, "Come back to me." Mystified, he tries to find out about her, and learns that she is a famous stage actress from the early 1900s. Becoming more and more obsessed with her, he manages – by self-hypnosis – to travel back in time where he meets her. They fall in love, a matching that is not appreciated by her manager. Can their love outlast the immense problems caused by their 'time" difference, and can Richard remain in a time that is not his?

Trailer


Reviews


90
Variety - Unnamed
A charming, witty, passionate romantic drama about a love transcending space and time, Somewhere In Time is an old-fashioned film in the best sense of that term. Which means it's carefully crafted, civilized in its sensibilities, and interested more in characterization than in shock effects.
63
TV Guide Magazine - Unnamed
Jeannot Szwarc does well in the director's chair, and Jean-Pierre Dorleac deserves special commendation for his costumes. But Seymour is given too little to do, and Reeve does too much.
50
Chicago Sun-Times - Roger Ebert
The whole movie is so solemn, so worshipful toward its theme, that it's finally just silly.
50
Boston Globe - Unnamed
Somewhere in Time is a glossy, flossy and intermittently interesting piece of kitsch which, with more sensitive craftsmanship, could have been one of the more dazzling screen romances of the year. It's too bad that it's held down by its more overt commercial impulses. [7 Oct 1980, p.1]
30
The New York Times - Vincent Canby
The screenplay is priceless (funny) and it's Mr. Reeve who sets the film's tone. Unfortunately, his unshadowed good looks, granite profile, bright naivete and eagerness to please - the qualities that made him such an ideal Superman - look absurd here.

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Young writer, Richard Collier is met on the opening night of his first play by an old lady who begs him to, "Come back to me." Mystified, he tries to find out about her, and learns that she is a famous stage actress from the early 1900s. Becoming more and more obsessed with her, he manages – by self-hypnosis – to travel back in time where he meets her. They fall in love, a matching that is not appreciated by her manager. Can their love outlast the immense problems caused by their 'time" difference, and can Richard remain in a time that is not his?

Young writer, Richard Collier is met on the opening night of his first play by an old lady who begs him to, "Come back to me." Mystified, he tries to find out about her, and learns that she is a famous stage actress from the early 1900s. Becoming more and more obsessed with her, he manages – by self-hypnosis – to travel back in time where he meets her. They fall in love, a matching that is not appreciated by her manager. Can their love outlast the immense problems caused by their 'time" difference, and can Richard remain in a time that is not his?

Young writer, Richard Collier is met on the opening night of his first play by an old lady who begs him to, "Come back to me." Mystified, he tries to find out about her, and learns that she is a famous stage actress from the early 1900s. Becoming more and more obsessed with her, he manages – by self-hypnosis – to travel back in time where he meets her. They fall in love, a matching that is not appreciated by her manager. Can their love outlast the immense problems caused by their 'time" difference, and can Richard remain in a time that is not his?

Young writer, Richard Collier is met on the opening night of his first play by an old lady who begs him to, "Come back to me." Mystified, he tries to find out about her, and learns that she is a famous stage actress from the early 1900s. Becoming more and more obsessed with her, he manages – by self-hypnosis – to travel back in time where he meets her. They fall in love, a matching that is not appreciated by her manager. Can their love outlast the immense problems caused by their 'time" difference, and can Richard remain in a time that is not his?