An utterly pleasant surprise...Lordy, is it tenderly acted, with an unyielding spine of honesty to all its characters.

It has a charm based on its innocence, its conviction, its pre-Beatles soundtrack and the big 1950s cars the kids drive around in.

As for Fonda, the camera certainly loves her (to quote a famous line by Howard Hawks), but an actor needs a part that will make her a star, and few films since Shag have seen fit to play to her strengths, specifically that perky blond American sass of hers that found perfect expression here.

The adolescent antics may be familiar, but Barron directs with affection both for her characters and for back-combing and boned underskirts; her young professionals turn in appropriately corny performances; and the soundtrack is a corker.

Director Zelda Barron has a real affection for her characters, enabling them to retain a sweet dignity even under some excessive circumstances dictated by the unimaginative, slight script.