Information
Released Year: 2001
Runtime: 100 minutes
Directors: Brad Anderson
Casts: Josh Lucas, Peter Mullan, Lonnie Farmer, Brendan Sexton III, Larry Fessenden, David Caruso, Stephen Gevedon, Paul Guilfoyle, Charley Broderick
IMDB: Session 9 (2001)
Ratings: 
(4 votes, average: 3.00 out of 5)
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(4 votes, average: 3.00 out of 5)Loading...Reviews
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Los Angeles Times -
Anderson, his superb ensemble cast and inspired cinematographer Uta Briesewitz, appeal at once to the intellect and the emotions as they build suspense and tension mercilessly.
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Wall Street Journal -
Pulls you in with smooth assurance, then holds you hostage to extremely creepy developments in the most awesome haunted house since "The Shining."
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L.A. Weekly -
A deft exercise in atmospheric horror and insanity. Which is why it's unfortunate that, ultimately, Anderson steps back from the brink.
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The New York Times -
The film, too artfully conceived to deliver many overt shocks, often feels long and aimless.
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San Francisco Chronicle -
The story doesn't quite pay off, characters are underwritten and the surprise ending is contrived and unconvincing.
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Session 9 (2001)
Tensions rise within an asbestos cleaning crew as they work in an abandoned mental hospital with a horrific past that seems to be coming back.
Session 9 (2001)
(4 votes, average: 3.00 out of 5)Loading...
Information
Released Year: 2001
Runtime: 100 minutes
Directors: Brad Anderson
Casts: Josh Lucas, Peter Mullan, Lonnie Farmer, Brendan Sexton III, Larry Fessenden, David Caruso, Stephen Gevedon, Paul Guilfoyle, Charley Broderick
IMDB: Session 9 (2001)
Storyline
Tensions rise within an asbestos cleaning crew as they work in an abandoned mental hospital with a horrific past that seems to be coming back.
Trailer
Reviews
|
|
Los Angeles Times -
Anderson, his superb ensemble cast and inspired cinematographer Uta Briesewitz, appeal at once to the intellect and the emotions as they build suspense and tension mercilessly.
|
|
|
Wall Street Journal -
Pulls you in with smooth assurance, then holds you hostage to extremely creepy developments in the most awesome haunted house since "The Shining."
|
|
|
L.A. Weekly -
A deft exercise in atmospheric horror and insanity. Which is why it's unfortunate that, ultimately, Anderson steps back from the brink.
|
|
|
The New York Times -
The film, too artfully conceived to deliver many overt shocks, often feels long and aimless.
|
|
|
San Francisco Chronicle -
The story doesn't quite pay off, characters are underwritten and the surprise ending is contrived and unconvincing.
|
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