With the aid of a fellow Auschwitz survivor and a hand-written letter, an elderly man with dementia goes in search of the person responsible for the death of his family.
Egoyan, working from a script by first-time screenwriter Benjamin August, works hard to steer the premise away from crassness – and in Plummer, he’s blessed with a lead actor who can express Zev’s interior struggle with delicacy and dignified understatement.
The thoughtfulness of Plummer's performance is not matched by a script that forgets human logic in favour of narrative tricksiness that ultimately undermines the initially intriguing premise.
The pathos of this situation is clear, the stakes, which obviously involve genocide, justice and actual Nazis, are sky high and Plummer is completely extraordinary. So why on earth isn't Remember a better film?