Moroccan producer (French TV’s “The Bureau”) turned director Hicham Hajji has no sense of pace, and while he’s got “names” on board, he doesn’t give them much to chew on. The script has these half-hearted efforts to shoehorn third-act twists and political messaging into the picture, but they’re as a limp and obvious as one actor’s feigned southern drawl in the finale.

If Redemption Day were any more generic, the first thing you’d see on screen would be a bar code in place of the opening credits.

Hicham Hajji's debut — while featuring an impressive supporting cast and admirably attempting to inject political commentary into its mix — proves such a wan, ineffective vehicle that it leaves its star all dressed up with nowhere to go.

There’s not a thrill to be found in this ostensible thriller, a rote kidnapping exercise taped together with digital blood spatter and an overly dramatic score, vaguely gesturing at global crises from five years ago.

Time may feel like a flat circle, but the calendar says it’s January, so that means we get shoddy, dumping-ground dreck like the generically titled Redemption Day.