Play Misty for Me is not the artistic equal of Psycho (1960), but in the business of collecting an audience into the palm of its hand and then squeezing hard, it is supreme. It doesn't depend on a lot of surprises to maintain the suspense. There ARE some surprises, sure, but mostly the film's terror comes from the fact that the strange woman is capable of anything.

Eastwood's first film as director, and first exploratory probe for the flaws in his macho image as outlined in Siegel's The Beguiled. A highly enjoyable thriller made under the influence of Siegel (who contributes a memorable cameo as a bartender).

The Man With No Name faces a whole lot of pain in Clint's thrilling directorial debut.

When it’s not serving as an overdone travelog for the Monterey Peninsula-Carmel home environment of star, producer and debuting director Clint Eastwood, Play Misty for Me is an often fascinating suspenser about psychotic Jessica Walter, whose deranged infatuation for Eastwood leads her to commit murder. For that 80% of the film which constitutes the story, the structure and dialog create a mood of nervous terror which the other 20% nearly blows away.

Clint Eastwood wisely chose a strong, simple thriller for his first film as a director (1971), and the project is remarkable in its self-effacing dedication to getting the craft right—to laying out the story, building the rhythm, putting the camera in the right place, and establishing small characters with a degree of conviction.