Overcomer (2019)

Kendrick’s film eventually finds its legs in the final stretch, with an emotionally effective conclusion that might persuade even the cynics to its cause. Whether it converts them to running or to Christ will depend on the viewer.

There's about half a movie in Overcomer. The other half or so is a pretty half-hearted sermon. Neither half is particularly worthwhile, and the whole is cheap, cheesy, and, to put it charitably, churchy.

There’s just nothing here. Even as comfort food for true believers, Overcomer cannot overcome its myriad shortcomings.

Laced with white-savior undertones this vaguely “The Blind Side”-esque sports drama doesn’t bother investigating (if it recognizes them at all), Overcomer offers nothing in the way of nuance — even its title is awkward — and, also, no respite from its religious propagandizing.

What’s never visible, through the monologues and hackneyed one-on-one chats, is a desire to use lighting beyond flat luminosity. Visual delivery matches the insipidness of the material.