Ophelia (2018)

Ridley is simply extraordinary, and she and MacKay give us a younger, lustier Ophelia and Hamlet than we usually get on the big screen.

This vigorous, colorful and clever melodrama smartly rethinks both the play and the character, making her a far more proactive figure than Shakespeare did in addition to entirely reimagining her fate.

Ophelia is an amazing movie that puts a positive feminist spin on a very familiar story. I’d love to see more classic stories retold from a female perspective like this one, written by women and directed by women.

This is the ultimate female take-back-the-narrative movie, and frankly a lot of it is silly and sophomoric. But it’s also juicy and fun.

The best part of Ridley’s performance is her plodding, heavy-footed walk that reminds us this well-groomed lady is still a stubborn child underneath her fancy dress. She has a blank, open face that absorbs the court’s machinations and reflects little back until she decides to act insane.