Information
Released Year: 1991
Runtime: 118 minutes
Directors: Isao Takahata
Writers: Isao Takahata
Casts: Ichirō Nagai, Yuuki Masuda, Mayumi Iizuka, Issey Takahashi, Yoshimasa Kondô, Miki Imai, Toshirō Yanagiba, Yōko Honna, Masahiro Itou, Chie Kitagawa, Yuki Minowa, Michie Terada, Yorie Yamashita
IMDB: Only Yesterday (1991)
Ratings: 
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(No Ratings Yet)Loading...Reviews
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RogerEbert.com -
Like “Kaguya,” it functions as a highly sensitive and empathetic consideration of the situation of women in Japanese society—but it’s also a breathtaking work of art on its own.
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The Film Stage -
Only Yesterday is unabashedly modest, but in its twin dialogues between the past and the present, and the undying lure of the country and the city, it’s a singularly specific story whose message echoes decades later.
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The A.V. Club -
Only Yesterday is animated, but rarely cartoony, in either its design or its storytelling.
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Village Voice -
It's both an important part of Ghibli's history and a gem in its own right.
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The New York Times -
Mr. Takahata’s psychologically acute film, which was based on a manga, seems to grow in impact, too, as the adult Takao comes to a richer understanding of what she wants and how she wants to live.
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Only Yesterday (1991)
It’s 1982, and Taeko is 27 years old, unmarried, and has lived her whole life in Tokyo. She decides to visit her family in the countryside, and as the train travels through the night, memories flood back of her younger years: the first immature stirrings of romance, the onset of puberty, and the frustrations of math and boys. At the station she is met by young farmer Toshio, and the encounters with him begin to reconnect her to forgotten longings. In lyrical switches between the present and the past, Taeko contemplates the arc of her life, and wonders if she has been true to the dreams of her childhood self.
Only Yesterday (1991)
(No Ratings Yet)Loading...
Information
Released Year: 1991
Runtime: 118 minutes
Directors: Isao Takahata
Writers: Isao Takahata
Casts: Ichirō Nagai, Yuuki Masuda, Mayumi Iizuka, Issey Takahashi, Yoshimasa Kondô, Miki Imai, Toshirō Yanagiba, Yōko Honna, Masahiro Itou, Chie Kitagawa, Yuki Minowa, Michie Terada, Yorie Yamashita
IMDB: Only Yesterday (1991)
Storyline
It’s 1982, and Taeko is 27 years old, unmarried, and has lived her whole life in Tokyo. She decides to visit her family in the countryside, and as the train travels through the night, memories flood back of her younger years: the first immature stirrings of romance, the onset of puberty, and the frustrations of math and boys. At the station she is met by young farmer Toshio, and the encounters with him begin to reconnect her to forgotten longings. In lyrical switches between the present and the past, Taeko contemplates the arc of her life, and wonders if she has been true to the dreams of her childhood self.
Trailer
Reviews
|
|
RogerEbert.com -
Like “Kaguya,” it functions as a highly sensitive and empathetic consideration of the situation of women in Japanese society—but it’s also a breathtaking work of art on its own.
|
|
|
The Film Stage -
Only Yesterday is unabashedly modest, but in its twin dialogues between the past and the present, and the undying lure of the country and the city, it’s a singularly specific story whose message echoes decades later.
|
|
|
The A.V. Club -
Only Yesterday is animated, but rarely cartoony, in either its design or its storytelling.
|
|
|
Village Voice -
It's both an important part of Ghibli's history and a gem in its own right.
|
|
|
The New York Times -
Mr. Takahata’s psychologically acute film, which was based on a manga, seems to grow in impact, too, as the adult Takao comes to a richer understanding of what she wants and how she wants to live.
|
Related Movies
It’s 1982, and Taeko is 27 years old, unmarried, and has lived her whole life in Tokyo. She decides to visit her family in the countryside, and as the train travels through the night, memories flood back of her younger years: the first immature stirrings of romance, the onset of puberty, and the frustrations of math and boys. At the station she is met by young farmer Toshio, and the encounters with him begin to reconnect her to forgotten longings. In lyrical switches between the present and the past, Taeko contemplates the arc of her life, and wonders if she has been true to the dreams of her childhood self.
It’s 1982, and Taeko is 27 years old, unmarried, and has lived her whole life in Tokyo. She decides to visit her family in the countryside, and as the train travels through the night, memories flood back of her younger years: the first immature stirrings of romance, the onset of puberty, and the frustrations of math and boys. At the station she is met by young farmer Toshio, and the encounters with him begin to reconnect her to forgotten longings. In lyrical switches between the present and the past, Taeko contemplates the arc of her life, and wonders if she has been true to the dreams of her childhood self.
It’s 1982, and Taeko is 27 years old, unmarried, and has lived her whole life in Tokyo. She decides to visit her family in the countryside, and as the train travels through the night, memories flood back of her younger years: the first immature stirrings of romance, the onset of puberty, and the frustrations of math and boys. At the station she is met by young farmer Toshio, and the encounters with him begin to reconnect her to forgotten longings. In lyrical switches between the present and the past, Taeko contemplates the arc of her life, and wonders if she has been true to the dreams of her childhood self.
It’s 1982, and Taeko is 27 years old, unmarried, and has lived her whole life in Tokyo. She decides to visit her family in the countryside, and as the train travels through the night, memories flood back of her younger years: the first immature stirrings of romance, the onset of puberty, and the frustrations of math and boys. At the station she is met by young farmer Toshio, and the encounters with him begin to reconnect her to forgotten longings. In lyrical switches between the present and the past, Taeko contemplates the arc of her life, and wonders if she has been true to the dreams of her childhood self.