Paul Greengrass and Tom Hanks have given us something truly special with their latest collaboration: a film that is engaging and challenging but also just makes you feel good.

Essentially a two-hander though enlivened by incisive secondary character turns along the way, it's a drama made with tremendous feeling, an unhurried, contemplative tale peppered with nail-biting set-pieces.

In the hands of Tom Hanks and his “Captain Phillips” director, Paul Greengrass, this adaptation of a Paulette Jiles novel becomes a parable for these “troubled times,” a story of race and unrepentant racism, men of violence who won’t give up that violence and the power of a free press to rectify that.

The movie offers few surprises and even less alacrity; and yet there's a cumulative weight to World that feels, if hardly new, still worth sitting through.

News of the World nestles comfortably not only in the canon of the Western but also among the films by European artists who make a movie in the United States and find themselves overwhelmed by all that space. To his credit, Greengrass finds an emotionally engaging way to fill it.