The movie isn't a comic book that's been assembled out of the spare parts from other crime movies; it's an original, in-depth look at this world, written and directed with concern—apparently after a lot of research and inside information.

The "Godfather" films transcended their mobster genre; New Jack City doesn't, but it's a great genre film, edgy, vibrant and full of urgent color.

The film's flamboyant portrait of Nino may be stereotypical, but Mr. Snipes makes it chilling.

City loses some bearings in its second half, becoming a ragged collection of punchy action scenes. Big deal. It's also one of the most enjoyably ragged examples of fuzz vs. scuz since 1972's Across 110th Street. [8 Mar 1991, p.2D]

Modeling his work after the old Warner Bros. gangster movies of the '30s and '40s, and using plenty of shootouts, Van Peebles still manages to instill a highly personal sense of urgency about the need to eradicate the crack trade. That passion flares through the script by Thomas Lee Wright and Barry Michael Cooper, a former addict who coined the phrase ''new jack'' to describe the flashy style of deprived inner-city youth eager to get rich quick by any means. [8 Mar 1991, p.E3]