Information
Released Year: 1981
Runtime: 129 minutes
Directors: Frank Perry
Casts: Mara Hobel, Xander Berkeley, Selma Archerd, Priscilla Pointer, Diana Scarwid, Faye Dunaway, Steve Forrest, Michael Edwards, Howard Da Silva, Harry Goz, Jocelyn Brando, Joe Abdullah, Gary Allen, Adrian Aron
IMDB: Mommie Dearest (1981)
Ratings: 
(2 votes, average: 4.50 out of 5)
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(2 votes, average: 4.50 out of 5)Loading...Reviews
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Slant Magazine -
Inscrutably powerful and brutally honest about diva worship as another form of male domination, Mommie Dearest is to camp what Medea was to Dr. Benjamin Spock.
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The A.V. Club -
There's something unnerving about the cult infamy of Mommie Dearest, a harrowing fact-based account of horrific child abuse that has developed a reputation as a camp giggle-fest of the so-bad-it's-good variety.
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Chicago Reader -
This adaptation of Christina Crawford's memoir about her driven, abusive mother is arguably too good to qualify as camp, even if it begins (and fitfully proceeds) like a horror film. Director Frank Perry, who collaborated with three others (including producer Frank Yablans) on the script, gives it all a certain crazed conviction.
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The Globe and Mail (Toronto) -
The Face is her face, the mannerisms are her mannerisms and Miss Dunaway manages magnificently to depict a woman whose acting off- screen is no better than her acting on.This is theoretically a modern horror movie about mother love but it is actually one of the funniest movies about how not to make a movie ever made. [25 Sept 1981]
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The New York Times -
Miss Dunaway gives the uncanny, meticulous Crawford imitation that is at the heart of Mommie Dearest. The movie itself has nothing like the brilliance of the impression, which is why it remains an impression and can't altogether rise to the level of a performance. But on its own terms Miss Dunaway's work here amounts to a small miracle, as one movie queen transforms herself passionately and wholeheartedly into another.
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Mommie Dearest (1981)
In this biographical film, glamorous yet lonely star Joan Crawford takes in two orphans, and at first their unconventional family seems happy. But after Joan's attempts at romantic fulfillment go sour and she is fired from her contract with MGM studios, her callous and abusive behavior towards her daughter Christina becomes even more pronounced. Christina leaves home and takes her first acting role, only to find her mother's presence still overshadowing her.
Mommie Dearest (1981)
(2 votes, average: 4.50 out of 5)Loading...
Information
Released Year: 1981
Runtime: 129 minutes
Directors: Frank Perry
Casts: Mara Hobel, Xander Berkeley, Selma Archerd, Priscilla Pointer, Diana Scarwid, Faye Dunaway, Steve Forrest, Michael Edwards, Howard Da Silva, Harry Goz, Jocelyn Brando, Joe Abdullah, Gary Allen, Adrian Aron
IMDB: Mommie Dearest (1981)
Storyline
In this biographical film, glamorous yet lonely star Joan Crawford takes in two orphans, and at first their unconventional family seems happy. But after Joan's attempts at romantic fulfillment go sour and she is fired from her contract with MGM studios, her callous and abusive behavior towards her daughter Christina becomes even more pronounced. Christina leaves home and takes her first acting role, only to find her mother's presence still overshadowing her.
Trailer
Reviews
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|
Slant Magazine -
Inscrutably powerful and brutally honest about diva worship as another form of male domination, Mommie Dearest is to camp what Medea was to Dr. Benjamin Spock.
|
|
|
The A.V. Club -
There's something unnerving about the cult infamy of Mommie Dearest, a harrowing fact-based account of horrific child abuse that has developed a reputation as a camp giggle-fest of the so-bad-it's-good variety.
|
|
|
Chicago Reader -
This adaptation of Christina Crawford's memoir about her driven, abusive mother is arguably too good to qualify as camp, even if it begins (and fitfully proceeds) like a horror film. Director Frank Perry, who collaborated with three others (including producer Frank Yablans) on the script, gives it all a certain crazed conviction.
|
|
|
The Globe and Mail (Toronto) -
The Face is her face, the mannerisms are her mannerisms and Miss Dunaway manages magnificently to depict a woman whose acting off- screen is no better than her acting on.This is theoretically a modern horror movie about mother love but it is actually one of the funniest movies about how not to make a movie ever made. [25 Sept 1981]
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The New York Times -
Miss Dunaway gives the uncanny, meticulous Crawford imitation that is at the heart of Mommie Dearest. The movie itself has nothing like the brilliance of the impression, which is why it remains an impression and can't altogether rise to the level of a performance. But on its own terms Miss Dunaway's work here amounts to a small miracle, as one movie queen transforms herself passionately and wholeheartedly into another.
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Related Movies
In this biographical film, glamorous yet lonely star Joan Crawford takes in two orphans, and at first their unconventional family seems happy. But after Joan's attempts at romantic fulfillment go sour and she is fired from her contract with MGM studios, her callous and abusive behavior towards her daughter Christina becomes even more pronounced. Christina leaves home and takes her first acting role, only to find her mother's presence still overshadowing her.
In this biographical film, glamorous yet lonely star Joan Crawford takes in two orphans, and at first their unconventional family seems happy. But after Joan's attempts at romantic fulfillment go sour and she is fired from her contract with MGM studios, her callous and abusive behavior towards her daughter Christina becomes even more pronounced. Christina leaves home and takes her first acting role, only to find her mother's presence still overshadowing her.
In this biographical film, glamorous yet lonely star Joan Crawford takes in two orphans, and at first their unconventional family seems happy. But after Joan's attempts at romantic fulfillment go sour and she is fired from her contract with MGM studios, her callous and abusive behavior towards her daughter Christina becomes even more pronounced. Christina leaves home and takes her first acting role, only to find her mother's presence still overshadowing her.
In this biographical film, glamorous yet lonely star Joan Crawford takes in two orphans, and at first their unconventional family seems happy. But after Joan's attempts at romantic fulfillment go sour and she is fired from her contract with MGM studios, her callous and abusive behavior towards her daughter Christina becomes even more pronounced. Christina leaves home and takes her first acting role, only to find her mother's presence still overshadowing her.