Contains scenes of brilliance, interrupted by scenes that meander. There is too much, too many characters, too many subplots. But there is so much here that is powerful that it should be seen no matter its imperfections.

Miracle at St. Anna is overlong and poorly focused. It tends to meander, the military context is not well established, and too much time is spent on interaction with underdeveloped secondary characters.

Even in a film that clocks in at a quasi-epic 2 hours and 40 minutes, that's just too much narrative. And matters aren't helped by the fact that Lee, who has never staged battle sequences before, hasn't quite got the rhythms or camera angles right.

Half the time I wasn't sure what Lee was going for in terms of tone, or style, or focus. It was a tricky assignment to begin with, because McBride's novel, and his screenplay, is part socio-historical corrective, part magical-realist folklore, part wartime procedural.

Miracle isn't powerful, it's muddled and diffuse.