Luck (2022)

Luck contains all the warmth and ingenuity that was nowhere to be found in Pixar’s own recent Lightyear, and has the attitude – if not always the supreme clarity and craftsmanship – of his old studio’s vintage productions.

Despite having an emotional arc that becomes evident within its first few minutes, Luck registers as original enough conceptually to maintain one’s interest as we follow the formulaic structure of its screenplay. The resulting fable feels like a typical case of “you’ve definitely seen this before, but not precisely in this manner.”

Luck’s sweetness comes from the details of Sam’s story and subsequent adventure.

The plot of Luck is far too dense and convoluted. I suspect the movie’s target audience won’t have the patience for it. Maybe they will be distracted by the sparkly crystals and funny unicorns.

If you can stomach the wobbly lessons, the sometimes clunky writing and the offensively bad Irish accents, this is a perfectly fine thing to pop your kid in front of for a couple of hours.