In his feature debut, director Ronald F. Maxwell isn’t perfect. But he gets several fine scenes from his performers, especially when O’Neal deals with her love interest, when NcNichol deals with her love interest, and best of all, when O’Neal and McNichol finally level with each other.

It's admittedly a gimmicky premise for a film about growing up, but screenwriters Kimi Peck and Dalene Young and director Robert F. Maxwell carry it off with lots of humor, reasonable sensitivity and only minimal mawkishness. [1 Apr 1980]

If you can get over the moralising, there's a treat from Kristy McNichol as the rough talking, Marlboro-smoking kid who can deliver a kick to the cobblers to rival Paul Newman, while Matt Dillon as her 'gentle giant' initiator and the soundtrack (Blondie, Bonnie Raitt) also provide welcome relief.

Little Darlings really wants to be two movies at once: A fairly serious film about teenagers and sex, but also a box-office winner like "National Lampoon's Animal House" or "Meatballs." That's why we get awkwardly forced comedy like the food-fight scene. The movie also suffers from uncertain direction.

The two leads are honestly played, and there is a nice feel for the scariness that sex has for adolescents, but the screenplay gets bogged down in silly subplots and stereotypes.