Let It Ride looks good in a low-key way, and Giorgio Moroder's eclectic, funky mood-setting score is crucial in helping maintain tone as well as pace. [21 Aug 1989]
50
Chicago Tribune
Unnamed
Let It Ride looks like it was vastly overshot and overwritten, then whittled down to something which resembles a movie but is really a long commercial for the joys of the racetrack. [22 Aug 1989]
50
Portland Oregonian
Unnamed
It's as beautifully acted throughout as it is photographed, and it has a quizzical tone somewhere between sociological documentary and farce. [22 Aug 1989]
50
San Francisco Chronicle
Mick LaSalle
Let It Ride has atmosphere, plus a good setting, appealing actors - and a bad script. [19 Aug 1989]
50
The Globe and Mail (Toronto)
Rick Groen
Joe Pytka does display an occasional nice touch with mood and atmosphere - at its infrequent best, the humor here is almost wry. But his editing is as jumpy as a mare in heat. [19 Aug 1989]