TV Shows

Let Him Go (2020)


Following the loss of their son, a retired sheriff and his wife leave their Montana ranch to rescue their young grandson from the clutches of a dangerous family living off the grid in the Dakotas.

Let Him Go (2020)

1 Star2 Stars3 Stars4 Stars5 Stars (27 votes, average: 3.67 out of 5)
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Information


Released Year: 2020
Runtime: 113 minutes
Genre: Crime, Drama, Thriller

Storyline


Following the loss of their son, a retired sheriff and his wife leave their Montana ranch to rescue their young grandson from the clutches of a dangerous family living off the grid in the Dakotas.

Trailer


Reviews


80
Variety - Owen Gleiberman
Let Him Go isn’t subtle, but as a genre film it’s original and shrewdly made, with a floridly gripping suspense. And Lane and Costner give it their all in a casual way that only pros this seasoned and gifted can. They turn the movie into an unlikely thing: a touchingly bone-weary romance steeped in vengeance.
75
The Globe and Mail (Toronto) - Barry Hertz
A skilfully executed thriller that is narrowly aimed at one demographic – audiences over 50 who like a little violence with their late-life dramas – but succeeds at entertaining just about anyone who comes across its dusty, blood-soaked path.
75
San Francisco Chronicle - Mick LaSalle
In the end, Let Him Go is like a Southern Gothic, only set in the Northwest. It’s just a genre movie that delivers the goods, but the restraint and emotional insight of the direction and the quality of the performances bring it up an essential extra notch.
70
Slashfilm - Unnamed
Great as our actual dads might be, they simply cannot compete with Costner. The guy perfectly hits all the right notes: honesty, dignity, quiet reserve, rugged Americana – all qualities we want in a hyperbolic father figure. Let Him Go exploits all this and reminds us of one other thing he’s good at: ass-kicking. But Let Him Go isn’t really Costner’s movie. Instead, it belongs to Diane Lane as his wife.
70
Arizona Republic - Bill Goodykoontz
It’s a throwback slow-burn thriller and an over-the-top scenery-chewing buffet — sometimes in the same scene. The back-and-forth tone prevents it from being the serious examination of human behavior (and misbehavior) it believes itself to be. It makes the experience of watching more strange than immersive.

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