Knock Knock (2015)

Knock Knock has something genuine to say, and it uses some really dark dramatic beats to get there.

Roth and Reeves locks us in for an increasingly terrifying thrillride.

[A] glossy and reasonably fun update of Peter Traynor’s 1977 exploitation movie “Death Game.”

The best villains are those whose motivations prove uncomfortably persuasive, and Knock Knock's drop-dead-gorgeous home invaders predicate their cruel game on too shaky a foundation to truly unsettle.

Little here is going to challenge the opinion of Roth as a bratty provocateur, but it’s still fun to experience a latter-day thriller pushing so many buttons in broadly the right order: if Knock Knock’s no more than a sick joke, it’s been very shrewdly constructed.