A tech worker with agoraphobia discovers recorded evidence of a violent crime but is met with resistance when she tries to report it. Seeking justice, she must do the thing she fears the most: she must leave her apartment.
Soderbergh’s direction is, per usual, tight and efficient (as is his editing – it runs a lean, mean 89 minutes).
80
IGN
Siddhant Adlakha
With a simple but effective script and some fun visual experiments, it's an entertaining conspiracy thriller set in (and very much about) the post-pandemic world.
What in lesser hands might have been just another tiresome COVID-19 quickie, locking us into a reality we’re all desperate to escape, becomes a tautly suspenseful nail-biter in Kimi, thanks to tirelessly eclectic director Steven Soderbergh and seasoned screenwriter David Koepp.
The sheer banality of Angela’s cat-and-mouse game against the corporate assassins on her trail is chilling enough to compensate for the movie’s limited scope, and Soderbergh creates such a vivid sense of plein air claustrophobia — of being caught in a net as wide as a wifi signal — that he can stage an intense action set piece in a public/private space as small as the back seat of a van.