TV Shows

In the Tall Grass (2019)


After hearing a child screaming for help from the green depths of a vast field of tall grass, Becky, a pregnant woman, and Cal, her brother, park their car near a mysterious abandoned church and recklessly enter the field, discovering that they are not alone and because of some reason they are unable of escaping a completely inextricable vegetable labyrinth.

In the Tall Grass (2019)

1 Star2 Stars3 Stars4 Stars5 Stars (5 votes, average: 3.40 out of 5)
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Information


Released Year: 2019
Runtime: 102 minutes
Genre: Drama, Horror, Thriller
Directors: Vincenzo Natali

Storyline


After hearing a child screaming for help from the green depths of a vast field of tall grass, Becky, a pregnant woman, and Cal, her brother, park their car near a mysterious abandoned church and recklessly enter the field, discovering that they are not alone and because of some reason they are unable of escaping a completely inextricable vegetable labyrinth.

Trailer


Reviews


67
The Playlist - Unnamed
In The Tall Grass proves a solidly spooky film, seeded with some tantalizing moments of terror. But it never grows to outright terrifying.
63
The Globe and Mail (Toronto) - Barry Hertz
Natali’s aesthetic exercise eventually outgrows his narrative trappings, and he’s forced to add unnecessary and foggy backstory to the source of the overgrown greenery.
63
RogerEbert.com - Brian Tallerico
This should be a haunting, claustrophobic nightmare, but Natali over-complicates the source material — just like his characters, our reasons for investing in what happens next get lost in the fields.
63
Movie Nation - Roger Moore
The film loses much of its lean, mean narrative drive when we get into group dynamics — who can you trust, who has been drinking the tall grass KoolAid — and the whole supernatural mumbo-jumbo “explaining” what they’re dealing with, and how they can escape it, takes over In the Tall Grass.
58
The A.V. Club - Katie Rife
The movie is a mixed bag, well shot and well acted enough to mostly keep the viewer’s attention, but meandering enough to frustrate at the same time. It’s bookended by flat, brightly lit, purely functional scenes that don’t quite erase the memory of the surrealist horrors that unfold at its peak, but do come close.

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