In the Fade (2017)

Akin holds nothing back, and Kruger, starring in a German film for the first time in her career, brings the grief and anger and pain to life — never overdoing any of it, yet refusing to submerge it.

Following the fizzle of his coming-of-ager Goodbye Berlin (Tschick) last year, Fatih Akin bounces back and bounces high with an edge-of-seat thriller inspired by xenophobic murders in Germany by a Neo-Nazi group.

Like life after a murder, there is no “happy” ending, no thrilling feeling of justice served. In the Fade is that rare thriller which finds more to mull over in the culture clash — within Germany, within the Turkish expatriate community, and between German justice and American expectations, between German storytelling and Hollywood endings.

Diane Kruger’s powerhouse performance in her first German-language production goes a long way toward compensating for the narrative’s dip into overly crystalline waters.

It’s a solid stab at the socially conscious mainstream flick for Akin, especially after he faltered somewhat with his last political film.