It’s not that anyone else in the movie isn’t good. But no one ever quite matches the unrivaled brilliance of Pike when given a clear runway to strut her skills. Seeing her in peak form nimbly navigating the tonal minefield of this late stage capitalism critique is an absolute delight.

Pike is astonishingly good, tearing into her role with the same icy menace that made her Oscar-nominated performance in Gone Girl so indelible and like the script she’s working from, there’s such restraint with her venom that it makes her all the more terrifying.

A sleekly unnerving thriller.

Whether you find this entertaining or repugnant will depend on your stomach for a despicable reality. But the movie delivers unquestionable pleasures in the pairing of Pike's monstrous manipulator with the always wonderful Dinklage's cool, calm killer, a man too smart not to recognize and respect his adversary's formidable intelligence.

Nothing Blakeson gives us is necessarily new or unique, but his ability to put it all together into this very American capitalist greed package is fresh enough to enjoy that familiarity for its sheer hilarity.