Ignatiy Vishnevetsky
We’ve seen it all before in movies and video games, but the packaging is slick and hard to resist; any sci-fi crime movie with moody camerawork by Chung Chung-hoon, a Cliff Martinez score, a cast this strange, and an original end-credits ballad by Father John Misty (also a cast member) is begging to be watched, regardless of actual content or the messiness of the action scenes.