The film stays afloat, if barely, thanks to Elliot Davis's uncluttered camerawork, a surprisingly unsentimental denouement, and performers who deftly undersell the script's corniest pretensions.
This quiet, atmospheric drama (originally titled "A Year in Mooring") feels padded even in its brief running time; it's a slight mood piece posing as a character study.
The film doesn't play games; it's basically just Lucas going through a short story-like period of reflection and redemption almost entirely without dialogue. It's not enough, but it is what this underappreciated actor does best.