Information
Released Year: 2014
Runtime: 100 minutes
Directors: Severin Fiala, Veronika Franz
Writers: Severin Fiala, Veronika Franz
Casts: Elias Schwarz, Lukas Schwarz, Susanne Wuest, Hans Escher, Elfriede Schatz, Karl Purker, Georg Deliovsky, Christian Steindl, Christian Schatz, Erwin Schmalzbauer
IMDB: Goodnight Mommy (2014)
Ratings: 
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Entertainment Weekly -
Goodnight Mommy, a brilliantly sinister horror film in the recent art-house mold of "The Babadook" and "It Follows," has a premise that cracks like the whip of a devil’s tail.
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The Hollywood Reporter -
The story's acceleration from anxiety to panic to hellish chaos is expertly managed, but more impressively, so is the control of internal narrative logic.
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The A.V. Club -
This elegantly nasty little potboiler should satisfy those brave enough to brave it. They might see the big reveal coming, but that won’t help them unsee the horrors leading up to it.
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Variety -
Shooting in sleek 35mm, Franz and Fiala have dreamt up a home-invasion scenario where the aggressors lived there all along.
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The New York Times -
Unspooling with virtually no music and a seriously unsettling sound design, Goodnight Mommy gains significant traction from small moments.
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Goodnight Mommy (2014)
In the heat of the summer lays a lonesome house in the countryside where nine year old twin brothers await their mother’s return. When she comes home, bandaged after cosmetic surgery, nothing is like before and the children start to doubt whether this woman is actually who she says she is.
Goodnight Mommy (2014)
(No Ratings Yet)Loading...
Information
Released Year: 2014
Runtime: 100 minutes
Directors: Severin Fiala, Veronika Franz
Writers: Severin Fiala, Veronika Franz
Casts: Elias Schwarz, Lukas Schwarz, Susanne Wuest, Hans Escher, Elfriede Schatz, Karl Purker, Georg Deliovsky, Christian Steindl, Christian Schatz, Erwin Schmalzbauer
IMDB: Goodnight Mommy (2014)
Storyline
In the heat of the summer lays a lonesome house in the countryside where nine year old twin brothers await their mother’s return. When she comes home, bandaged after cosmetic surgery, nothing is like before and the children start to doubt whether this woman is actually who she says she is.
Trailer
Reviews
|
|
Entertainment Weekly -
Goodnight Mommy, a brilliantly sinister horror film in the recent art-house mold of "The Babadook" and "It Follows," has a premise that cracks like the whip of a devil’s tail.
|
|
|
The Hollywood Reporter -
The story's acceleration from anxiety to panic to hellish chaos is expertly managed, but more impressively, so is the control of internal narrative logic.
|
|
|
The A.V. Club -
This elegantly nasty little potboiler should satisfy those brave enough to brave it. They might see the big reveal coming, but that won’t help them unsee the horrors leading up to it.
|
|
|
Variety -
Shooting in sleek 35mm, Franz and Fiala have dreamt up a home-invasion scenario where the aggressors lived there all along.
|
|
|
The New York Times -
Unspooling with virtually no music and a seriously unsettling sound design, Goodnight Mommy gains significant traction from small moments.
|
Related Movies
In the heat of the summer lays a lonesome house in the countryside where nine year old twin brothers await their mother’s return. When she comes home, bandaged after cosmetic surgery, nothing is like before and the children start to doubt whether this woman is actually who she says she is.
In the heat of the summer lays a lonesome house in the countryside where nine year old twin brothers await their mother’s return. When she comes home, bandaged after cosmetic surgery, nothing is like before and the children start to doubt whether this woman is actually who she says she is.
In the heat of the summer lays a lonesome house in the countryside where nine year old twin brothers await their mother’s return. When she comes home, bandaged after cosmetic surgery, nothing is like before and the children start to doubt whether this woman is actually who she says she is.
In the heat of the summer lays a lonesome house in the countryside where nine year old twin brothers await their mother’s return. When she comes home, bandaged after cosmetic surgery, nothing is like before and the children start to doubt whether this woman is actually who she says she is.