Cordero and screenwriter Philip Gelatt demonstrate a deft understanding of how to handle a found-footage narrative without making it too familiar.

The basic story has been told many times before, but it’s intriguingly retold by screenwriter Philip Gelatt and director Sebastian Cordero in this low-budget, bare-bones rendering of a familiar theme.

The sights are gorgeous—a seamless mix of archival imagery and impressively rendered digital views of our galaxy—and the science is, to layman’s eyes and ears, more than credible.

Given the saturation of the found footage horror genre, Cordero's approach delivers a much shrewder alternative that goes beyond the power of suggestion by rooting its otherworldly fears in authenticity.

Meticulously crafted by Ecuadorian helmer Sebastian Cordero and his team, this futuristic tale of astronauts searching for signs of life near Jupiter was ostensibly shot using cameras positioned aboard their spacecraft; their video diaries have been cannily reassembled into something coherent and genuinely compelling on their own low-key terms, if a touch over-earnest at times.