As the Japanese surrender at the end of WWII, Gen. Fellers is tasked with deciding if Emperor Hirohito will be hanged as a war criminal. Influencing his ruling is his quest to find Aya, an exchange student he met years earlier in the U.S.
The real star of the film is the magnetic, forceful and charismatic Matthew Fox, who steals the entire film as easily as if he were pitching a softball.
As is the case with most of the elements in Emperor, the cliches are relatively few and spaced apart, and the tearjerking and profound moments are authentic and well-earned.
Emperor explores the delicate postwar dance of revenge, justice, and realpolitik, yet its focus on the issue of Hirohito's guilt or innocence (did he order the attack on Pearl Harbor? Or did he, in fact, oppose the Japanese military machine?)