Returning home to working class Warwick, Rhode Island, Peter Latang encounters childhood friend Donald Treebeck for what starts as a simple favor and turns into a long van ride into two friends past.
While hardly reinventing the wheel, Donald Cried spins it faster than usual, taking cues from its memorably irritating protagonist. Beneath its entertainment value, the movie also hints at the tragedy of aimless adulthood.
In virtually every closeup, Donald Cried practically seethes with barely suppressed emotion, though Avedisian cannily couches his characters’ very real, raw feelings amid a ridiculousness born of Donald’s wholesale weirdness.
80
Village Voice
Serena Donadoni
In a bitterly funny performance, Avedisian lets Donald's freak flag fly, a big-toothed grin lighting up his face, framed by a shaggy haircut not deliberate enough to be a mullet.
75
The Film Stage
Ethan Vestby
Avedisian, as a director, certainly leaves the film to him and his fellow performers to dominate, but not so much in the sense of ostentatious close-ups of heartfelt monologues — rather by capturing the uncomfortable physical confrontations between everybody.