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Christine (1983)

1983 110 min Dec 8, 1983

Storyline

Geeky student Arnie Cunningham falls for Christine, a rusty 1958 Plymouth Fury, and becomes obsessed with restoring the classic automobile to her former glory. As the car changes, so does Arnie, whose newfound confidence turns to arrogance behind the wheel of his exotic beauty. Arnie's girlfriend Leigh and best friend Dennis reach out to him, only to be met by a Fury like no other.

Release DateDecember 8, 1983
Runtime110 minutes
Ratings
(4 votes, average: 4.75 out of 5)
Directors

Trailer

Reviews

75
Roger Ebert
Christine is, of course, utterly ridiculous. But I enjoyed it anyway. The movies have a love affair with cars, and at some dumb elemental level we enjoy seeing chases and crashes. In fact, under the right circumstances there is nothing quite so exhilarating as seeing a car crushed, and one of the best scenes in Christine is the one where the car forces itself into an alley that's too narrow for it.
70
Dave Kehr
This 1983 feature was Carpenter's best film since Halloween but still couldn't recapture the perfect balance of visceral shock and narrative integrity that defined his first success.
70
Gary Arnold
Christine does indeed suffer from the preposterous, low-octane nature of the devil-car pretext. But this satanic nonsense is saved from strictly facetious appeal by a few sensational pictorial effects, notably the sights of Christine speeding after a victim while engulfed in flames or miraculously repairing her own battered body, and by the no-nonsense performances of an excellent cast, especially Keith Gordon as the obsessed and transformed Arnie Cunningham.
70
Newsweek
Unnamed
It's to the credit of John Carpenter, who directs Christine, that he sees the comic side of King's metaphor. With the very talented 22-year-old Keith Gordon as Arnie, giving some fresh and funny turns on alienated youth, and a strong supporting cast including newcomers John Stockwell and Alexandra Paul and veterans Robert Prosky and Harry Dean Stanton, Christine has just enough comic energy to carry this fable to its crash-bam conclusion. [19 Dec 1983, p.66]
63
Miami Herald
Bill Cosford
The story may be slim, but Carpenter deserves some credit. He makes more of the car-as-villain than one might expect, largely by filming the Plymouth in high style. [10 Dec 1983, p.B5]

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