Not only does it offer a damning lesson about how the United States abandons its veterans, but it tries, with honesty and feeling, to honor a man who just wanted to survive.
Boyega is the most interesting thing about the movie — specifically, the way he portrays this tragic, psychologically damaged individual fighting for what matters to him — although it’s also noteworthy for featuring Michael Kenneth Williams’ final performance as the hostage negotiator.
It’s a film that hits some narrative bumps along the way without diminishing its tougher observations about race, the police, and the treatment of veterans.
Corbin’s film is brutal and sad, thanks to its brutal and sad origins and the abilities of Boyega, but its wandering eye is just the latest to gloss over Brian Easley.