Baldwin and Moore generate genuine heat and chemistry together, even in some ridiculous moments.

Moore’s and Baldwin’s forceful personalities power their performances, and these evenly matched partners have now invigorated both a convoluted thriller (The Juror) and a predictable romance (Blind).

The chemistry between Baldwin and Moore is strangely disconnected. The performers aren't bad, but they don't generate any kind of heat.

The result is a watchable, albeit unsatisfying, vehicle for two stars who’ve now made a pair of movies together in which their skills constitute the main attraction, yet who aren’t particularly well-served by either film.

At one point, the film makes a bold but foolish move by getting in the ring with Tolstoy, analogizing itself to Anna Karenina in a self-seriously laughable attempt to pass its schmaltzy and contrived romance narrative off for something significantly grander.