19-year-old Billy Lynn is brought home for a victory tour after a harrowing Iraq battle. Through flashbacks the film shows what really happened to his squad - contrasting the realities of war with America's perceptions.
There’s a grand paradox at work in Billy Lynn’s Long Halftime Walk. The film isn’t simply a technological experiment; it’s also a highly original, heartfelt, and engrossing story. And part of the power of it lies in the way that those two things are connected.
So long as “Billy Lynn” remains focused on his ambiguous mindset, it remains an engaging, somewhat theatrical character study. But Lee’s ongoing need to complicate his approach yields a movie trapped between conventional narrative tropes and questionable attempts to deliver something that registers on a more visceral level.
It does astounding work animating the mind of its young soldier, but it runs into technical difficulties whenever it tries to grasp the bigger picture.
It’s a radiant debut for young newcomer Joe Alwyn, who plays a Texan war hero uneasy in his own land. It’s a shakier curtain-raising for Lee’s ambitious weaponising of new technologies.