Apostle (2018)

Evans lets his freak flag billow gloriously in the cinematic wind; leaning into the perverse nature of his work, he fixates on tension and dread to craft a compelling journey enveloped in lunacy.

With Apostle, Gareth Evans has proven he can not only master action films with stunning choreography, but he can also deliver a bone-chilling folk horror tale rich in mythology and shocking in violence. Apostle owes a lot to classic folk horror films, but Evans manages to make his film feel fresh and gripping enough to satisfy even the most blood-thirsty horror fan.

Polarizing yet undeniably fascinating, the bait-and-switch horror film lures its viewer into a false sense of terrified security before pouncing in an anything-goes frenzy, and Evans’s latest is a prime specimen.

Gareth Evans’ Apostle is The Wicker Man, Safe Haven and Silent Hill thrown into a boil that bubbles over during a ruthless third act that certainly delivers if you have the patience.

The film introduces interesting themes as though they’ll build to something, only to let them spill out like so much viscera from an especially nasty wound.