A well-intentioned disaster, only slightly redeemed by a committed performance by Sean Bean, whose talent proves nowhere near enough to make this manipulative tripe more digestible.

Branaman’s script piles on low-level drama, bad decisions, and enough misdirection to make the film’s baffling ending feel not just unearned, but entirely unbelievable.

Featuring endless scenes that defy credibility..Any Day truly succumbs to mawkishness in its final act.

By the time the film reaches a faith-based, third-act crescendo, Bean, Walsh and company, despite their best efforts, look like they know they've been beaten, while the score's mournful strings wring out whatever pathos remains untapped.

To say Any Day is a bad movie doesn’t go far enough, because it’s not just bad. It’s frustrating, it’s a slap in the face of filmmakers still struggling to get a project greenlit, and it makes me wonder how so many recognizable actors came to be involved in such drivel.