As a psychological not-quite thriller, it’s consistently entertaining; as a visual exercise, it’s more adventurous than most would be.

It defeats expectations, but it’s far more arresting and captivating a romance because Forster infuses it with suspenseful urgency. I have to admire the guts of a director who portrays the dissolution of a mismatched marriage with the dread of a murder mystery.

Even as All I See Is You descends into soapy nonsense, it remains visually engaging.

Lively has become an expert at creating the impression that at some point, the movie behind her will come together. All I See Is You comes closer than "Adaline," but its adult intentions don’t go far enough.

Take away Forster’s hard-working visual style, and what All I See Is You essentially presents is a standard relationship drama, with two generic, privileged people at its heart who don’t become any more striking even as the tensions between the two gradually reach a breaking point.